Ivan Reitman

Same goes for the awestruck glimpses of the old car the old costumes some of the old dialogue and the rest of the myriad nods to Ivan Reitmans canonized blockbuster. As with The Rise of Skywalker it was crafted in direct response to a misogynist furor by the worst fans and it panders to them relentlessly at the expense of getting a single thing.

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Fuck this and fuck Jason Reitman for treating this property which was if anything a passion project by a ghost-obsessed Aykroyd and honed by Ramis as if he had prima nocte hereditary rights to it.

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